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AacAudioDescriptionBroadcasterMix

Choose BROADCASTER_MIXED_AD when the input contains pre-mixed main audio + audio description (AD) as a stereo pair. The value for AudioType will be set to 3, which signals to downstream systems that this stream contains "broadcaster mixed AD". Note that the input received by the encoder must contain pre-mixed audio; the encoder does not perform the mixing. When you choose BROADCASTER_MIXED_AD, the encoder ignores any values you provide in AudioType and FollowInputAudioType. Choose NORMAL when the input does not contain pre-mixed audio + audio description (AD). In this case, the encoder will use any values you provide for AudioType and FollowInputAudioType.

integer

Minimum: 6000

Maximum: 1024000

Specify the average bitrate in bits per second. The set of valid values for this setting is: 6000, 8000, 10000, 12000, 14000, 16000, 20000, 24000, 28000, 32000, 40000, 48000, 56000, 64000, 80000, 96000, 112000, 128000, 160000, 192000, 224000, 256000, 288000, 320000, 384000, 448000, 512000, 576000, 640000, 768000, 896000, 1024000. The value you set is also constrained by the values that you choose for Profile, Bitrate control mode, and Sample rate. Default values depend on Bitrate control mode and Profile.

AacCodecProfile

Specify the AAC profile. For the widest player compatibility and where higher bitrates are acceptable: Keep the default profile, LC (AAC-LC) For improved audio performance at lower bitrates: Choose HEV1 or HEV2. HEV1 (AAC-HE v1) adds spectral band replication to improve speech audio at low bitrates. HEV2 (AAC-HE v2) adds parametric stereo, which optimizes for encoding stereo audio at very low bitrates.

AacCodingMode

The Coding mode that you specify determines the number of audio channels and the audio channel layout metadata in your AAC output. Valid coding modes depend on the Rate control mode and Profile that you select. The following list shows the number of audio channels and channel layout for each coding mode. * 1.0 Audio Description (Receiver Mix): One channel, C. Includes audio description data from your stereo input. For more information see ETSI TS 101 154 Annex E. * 1.0 Mono: One channel, C. * 2.0 Stereo: Two channels, L, R. * 5.1 Surround: Six channels, C, L, R, Ls, Rs, LFE.

AacRateControlMode

Specify the AAC rate control mode. For a constant bitrate: Choose CBR. Your AAC output bitrate will be equal to the value that you choose for Bitrate. For a variable bitrate: Choose VBR. Your AAC output bitrate will vary according to your audio content and the value that you choose for Bitrate quality.

AacRawFormat

Enables LATM/LOAS AAC output. Note that if you use LATM/LOAS AAC in an output, you must choose "No container" for the output container.

integer

Minimum: 8000

Maximum: 96000

Specify the AAC sample rate in samples per second (Hz). Valid sample rates depend on the AAC profile and Coding mode that you select. For a list of supported sample rates, see: https://docs.aws.amazon.com/mediaconvert/latest/ug/aac-support.html

AacSpecification

Use MPEG-2 AAC instead of MPEG-4 AAC audio for raw or MPEG-2 Transport Stream containers.

AacVbrQuality

Specify the quality of your variable bitrate (VBR) AAC audio. For a list of approximate VBR bitrates, see: https://docs.aws.amazon.com/mediaconvert/latest/ug/aac-support.html#aac_vbr

integer

Minimum: 64000

Maximum: 640000

Specify the average bitrate in bits per second. The bitrate that you specify must be a multiple of 8000 within the allowed minimum and maximum values. Leave blank to use the default bitrate for the coding mode you select according ETSI TS 102 366. Valid bitrates for coding mode 1/0: Default: 96000. Minimum: 64000. Maximum: 128000. Valid bitrates for coding mode 1/1: Default: 192000. Minimum: 128000. Maximum: 384000. Valid bitrates for coding mode 2/0: Default: 192000. Minimum: 128000. Maximum: 384000. Valid bitrates for coding mode 3/2 with FLE: Default: 384000. Minimum: 384000. Maximum: 640000.

Ac3BitstreamMode

Specify the bitstream mode for the AC-3 stream that the encoder emits. For more information about the AC3 bitstream mode, see ATSC A/52-2012 (Annex E).

Ac3CodingMode

Dolby Digital coding mode. Determines number of channels.

integer

Minimum: 1

Maximum: 31

Sets the dialnorm for the output. If blank and input audio is Dolby Digital, dialnorm will be passed through.

Ac3DynamicRangeCompressionLine

Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the line operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile. For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.

Ac3DynamicRangeCompressionProfile

When you want to add Dolby dynamic range compression (DRC) signaling to your output stream, we recommend that you use the mode-specific settings instead of Dynamic range compression profile. The mode-specific settings are Dynamic range compression profile, line mode and Dynamic range compression profile, RF mode. Note that when you specify values for all three settings, MediaConvert ignores the value of this setting in favor of the mode-specific settings. If you do use this setting instead of the mode-specific settings, choose None to leave out DRC signaling. Keep the default Film standard to set the profile to Dolby's film standard profile for all operating modes.

Ac3DynamicRangeCompressionRf

Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the RF operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile. For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.

Ac3LfeFilter

Applies a 120Hz lowpass filter to the LFE channel prior to encoding. Only valid with 3_2_LFE coding mode.

Ac3MetadataControl

When set to FOLLOW_INPUT, encoder metadata will be sourced from the DD, DD+, or DolbyE decoder that supplied this audio data. If audio was not supplied from one of these streams, then the static metadata settings will be used.

integer

Minimum: 48000

Maximum: 48000

This value is always 48000. It represents the sample rate in Hz.

AccelerationMode

Specify the conditions when the service will run your job with accelerated transcoding.

AdvancedInputFilterAddTexture

Add texture and detail to areas of your input video content that were lost after applying the Advanced input filter. To adaptively add texture and reduce softness: Choose Enabled. To not add any texture: Keep the default value, Disabled. We recommend that you choose Disabled for input video content that doesn't have texture, including screen recordings, computer graphics, or cartoons.

AdvancedInputFilterSharpen

Optionally specify the amount of sharpening to apply when you use the Advanced input filter. Sharpening adds contrast to the edges of your video content and can reduce softness. To apply no sharpening: Keep the default value, Off. To apply a minimal amount of sharpening choose Low, or for the maximum choose High.

integer

Minimum: 16

Maximum: 24

Specify Bit depth, in bits per sample, to choose the encoding quality for this audio track.

integer

Minimum: 1

Maximum: 64

Specify the number of channels in this output audio track. Valid values are 1 and even numbers up to 64. For example, 1, 2, 4, 6, and so on, up to 64.

integer

Minimum: 8000

Maximum: 192000

Sample rate in Hz.

integer

Minimum: 32

Maximum: 8192

Use Height to define the video resolution height, in pixels, for this rule.

RequiredFlag

Set to ENABLED to force a rendition to be included.

integer

Minimum: 32

Maximum: 8192

Use Width to define the video resolution width, in pixels, for this rule.

AncillaryConvert608To708

Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert, MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.

integer

Minimum: 1

Maximum: 4

Specifies the 608 channel number in the ancillary data track from which to extract captions. Unused for passthrough.

AncillaryTerminateCaptions

By default, the service terminates any unterminated captions at the end of each input. If you want the caption to continue onto your next input, disable this setting.

AudioChannelTag

Specify the QuickTime audio channel layout tags for the audio channels in this audio track. Enter channel layout tags in the same order as your output's audio channel order. For example, if your output audio track has a left and a right channel, enter Left (L) for the first channel and Right (R) for the second. If your output has multiple single-channel audio tracks, enter a single channel layout tag for each track.

Array of type AudioChannelTag

Specify the QuickTime audio channel layout tags for the audio channels in this audio track. Enter channel layout tags in the same order as your output's audio channel order. For example, if your output audio track has a left and a right channel, enter Left (L) for the first channel and Right (R) for the second. If your output has multiple single-channel audio tracks, enter a single channel layout tag for each track.

AacSettings

Required when you set Codec to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode to "VBR" or "CBR". In VBR mode, you control the audio quality with the setting VBR quality. In CBR mode, you use the setting Bitrate. Defaults and valid values depend on the rate control mode.

Ac3Settings

Required when you set Codec to the value AC3.

AiffSettings

Required when you set Codec to the value AIFF.

AudioCodec

Choose the audio codec for this output. Note that the option Dolby Digital passthrough applies only to Dolby Digital and Dolby Digital Plus audio inputs. Make sure that you choose a codec that's supported with your output container: https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers.html#reference-codecs-containers-output-audio For audio-only outputs, make sure that both your input audio codec and your output audio codec are supported for audio-only workflows. For more information, see: https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers-input.html#reference-codecs-containers-input-audio-only and https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers.html#audio-only-output

Eac3AtmosSettings

Required when you set Codec to the value EAC3_ATMOS.

Eac3Settings

Required when you set Codec to the value EAC3.

FlacSettings

Required when you set Codec, under AudioDescriptions>CodecSettings, to the value FLAC.

Mp2Settings

Required when you set Codec to the value MP2.

Mp3Settings

Required when you set Codec, under AudioDescriptions>CodecSettings, to the value MP3.

OpusSettings

Required when you set Codec, under AudioDescriptions>CodecSettings, to the value OPUS.

VorbisSettings

Required when you set Codec, under AudioDescriptions>CodecSettings, to the value Vorbis.

WavSettings

Required when you set Codec to the value WAV.

AudioChannelTaggingSettings

Specify the QuickTime audio channel layout tags for the audio channels in this audio track. When you don't specify a value, MediaConvert labels your track as Center (C) by default. To use Audio layout tagging, your output must be in a QuickTime (MOV) container and your audio codec must be AAC, WAV, or AIFF.

AudioNormalizationSettings

Advanced audio normalization settings. Ignore these settings unless you need to comply with a loudness standard.

string

Specifies which audio data to use from each input. In the simplest case, specify an "Audio Selector":#inputs-audio_selector by name based on its order within each input. For example if you specify "Audio Selector 3", then the third audio selector will be used from each input. If an input does not have an "Audio Selector 3", then the audio selector marked as "default" in that input will be used. If there is no audio selector marked as "default", silence will be inserted for the duration of that input. Alternatively, an "Audio Selector Group":#inputs-audio_selector_group name may be specified, with similar default/silence behavior. If no audio_source_name is specified, then "Audio Selector 1" will be chosen automatically.

integer

Minimum: 0

Maximum: 255

Applies only if Follow Input Audio Type is unchecked (false). A number between 0 and 255. The following are defined in ISO-IEC 13818-1: 0 = Undefined, 1 = Clean Effects, 2 = Hearing Impaired, 3 = Visually Impaired Commentary, 4-255 = Reserved.

AudioTypeControl

When set to FOLLOW_INPUT, if the input contains an ISO 639 audio_type, then that value is passed through to the output. If the input contains no ISO 639 audio_type, the value in Audio Type is included in the output. Otherwise the value in Audio Type is included in the output. Note that this field and audioType are both ignored if audioDescriptionBroadcasterMix is set to BROADCASTER_MIXED_AD.

AudioCodecSettings

Settings related to audio encoding. The settings in this group vary depending on the value that you choose for your audio codec.

string

Pattern: ^[A-Za-z]{2,3}(-[A-Za-z0-9-]+)?$

Specify the language for this audio output track. The service puts this language code into your output audio track when you set Language code control to Use configured. The service also uses your specified custom language code when you set Language code control to Follow input, but your input file doesn't specify a language code. For all outputs, you can use an ISO 639-2 or ISO 639-3 code. For streaming outputs, you can also use any other code in the full RFC-5646 specification. Streaming outputs are those that are in one of the following output groups: CMAF, DASH ISO, Apple HLS, or Microsoft Smooth Streaming.

LanguageCode

Indicates the language of the audio output track. The ISO 639 language specified in the 'Language Code' drop down will be used when 'Follow Input Language Code' is not selected or when 'Follow Input Language Code' is selected but there is no ISO 639 language code specified by the input.

AudioLanguageCodeControl

Specify which source for language code takes precedence for this audio track. When you choose Follow input, the service uses the language code from the input track if it's present. If there's no languge code on the input track, the service uses the code that you specify in the setting Language code. When you choose Use configured, the service uses the language code that you specify.

RemixSettings

Advanced audio remixing settings.

string

Pattern: ^[\w\s]*$

Specify a label for this output audio stream. For example, "English", "Director commentary", or "track_2". For streaming outputs, MediaConvert passes this information into destination manifests for display on the end-viewer's player device. For outputs in other output groups, the service ignores this setting.

AudioNormalizationAlgorithm

Choose one of the following audio normalization algorithms: ITU-R BS.1770-1: Ungated loudness. A measurement of ungated average loudness for an entire piece of content, suitable for measurement of short-form content under ATSC recommendation A/85. Supports up to 5.1 audio channels. ITU-R BS.1770-2: Gated loudness. A measurement of gated average loudness compliant with the requirements of EBU-R128. Supports up to 5.1 audio channels. ITU-R BS.1770-3: Modified peak. The same loudness measurement algorithm as 1770-2, with an updated true peak measurement. ITU-R BS.1770-4: Higher channel count. Allows for more audio channels than the other algorithms, including configurations such as 7.1.

AudioNormalizationAlgorithmControl

When enabled the output audio is corrected using the chosen algorithm. If disabled, the audio will be measured but not adjusted.

integer

Minimum: -70

Maximum: 0

Content measuring above this level will be corrected to the target level. Content measuring below this level will not be corrected.

AudioNormalizationLoudnessLogging

If set to LOG, log each output's audio track loudness to a CSV file.

AudioNormalizationPeakCalculation

If set to TRUE_PEAK, calculate and log the TruePeak for each output's audio track loudness.

number

Format: float

Minimum: -59.0

Maximum: 0.0

When you use Audio normalization, optionally use this setting to specify a target loudness. If you don't specify a value here, the encoder chooses a value for you, based on the algorithm that you choose for Algorithm. If you choose algorithm 1770-1, the encoder will choose -24 LKFS; otherwise, the encoder will choose -23 LKFS.

number

Format: float

Minimum: -8.0

Maximum: 0.0

Specify the True-peak limiter threshold in decibels relative to full scale (dBFS). The peak inter-audio sample loudness in your output will be limited to the value that you specify, without affecting the overall target LKFS. Enter a value from 0 to -8. Leave blank to use the default value 0.

AudioDurationCorrection

Apply audio timing corrections to help synchronize audio and video in your output. To apply timing corrections, your input must meet the following requirements: * Container: MP4, or MOV, with an accurate time-to-sample (STTS) table. * Audio track: AAC. Choose from the following audio timing correction settings: * Disabled (Default): Apply no correction. * Auto: Recommended for most inputs. MediaConvert analyzes the audio timing in your input and determines which correction setting to use, if needed. * Track: Adjust the duration of each audio frame by a constant amount to align the audio track length with STTS duration. Track-level correction does not affect pitch, and is recommended for tonal audio content such as music. * Frame: Adjust the duration of each audio frame by a variable amount to align audio frames with STTS timestamps. No corrections are made to already-aligned frames. Frame-level correction may affect the pitch of corrected frames, and is recommended for atonal audio content such as speech or percussion. * Force: Apply audio duration correction, either Track or Frame depending on your input, regardless of the accuracy of your input's STTS table. Your output audio and video may not be aligned or it may contain audio artifacts.

string

Pattern: ^[A-Za-z]{3}$

MinLength: 3

MaxLength: 3

Selects a specific language code from within an audio source, using the ISO 639-2 or ISO 639-3 three-letter language code

AudioDefaultSelection

Enable this setting on one audio selector to set it as the default for the job. The service uses this default for outputs where it can't find the specified input audio. If you don't set a default, those outputs have no audio.

string

Pattern: ^s3://([^\/]+\/+)+((([^\/]*)))|^https?://[^\/].*[^&]$

Specifies audio data from an external file source.

HlsRenditionGroupSettings

Settings specific to audio sources in an HLS alternate rendition group. Specify the properties (renditionGroupId, renditionName or renditionLanguageCode) to identify the unique audio track among the alternative rendition groups present in the HLS manifest. If no unique track is found, or multiple tracks match the properties provided, the job fails. If no properties in hlsRenditionGroupSettings are specified, the default audio track within the video segment is chosen. If there is no audio within video segment, the alternative audio with DEFAULT=YES is chosen instead.

LanguageCode

Selects a specific language code from within an audio source.

integer

Minimum: -2147483648

Maximum: 2147483647

Specifies a time delta in milliseconds to offset the audio from the input video.

Array of type integer

Minimum: 1

Maximum: 2147483647

Selects a specific PID from within an audio source (e.g. 257 selects PID 0x101).

integer

Minimum: 0

Maximum: 8

Use this setting for input streams that contain Dolby E, to have the service extract specific program data from the track. To select multiple programs, create multiple selectors with the same Track and different Program numbers. In the console, this setting is visible when you set Selector type to Track. Choose the program number from the dropdown list. If your input file has incorrect metadata, you can choose All channels instead of a program number to have the service ignore the program IDs and include all the programs in the track.

RemixSettings

Use these settings to reorder the audio channels of one input to match those of another input. This allows you to combine the two files into a single output, one after the other.

AudioSelectorType

Specifies the type of the audio selector.

Array of type integer

Minimum: 1

Maximum: 2147483647

Identify a track from the input audio to include in this selector by entering the track index number. To include several tracks in a single audio selector, specify multiple tracks as follows. Using the console, enter a comma-separated list. For example, type "1,2,3" to include tracks 1 through 3.

Array of type string

MinLength: 1

Name of an Audio Selector within the same input to include in the group. Audio selector names are standardized, based on their order within the input (e.g., "Audio Selector 1"). The audio selector name parameter can be repeated to add any number of audio selectors to the group.

Array of type AllowedRenditionSize

When customer adds the allowed renditions rule for auto ABR ladder, they are required to add at leat one rendition to allowedRenditions list

Array of type ForceIncludeRenditionSize

When customer adds the force include renditions rule for auto ABR ladder, they are required to add at leat one rendition to forceIncludeRenditions list

MinBottomRenditionSize

Use Min bottom rendition size to specify a minimum size for the lowest resolution in your ABR stack. * The lowest resolution in your ABR stack will be equal to or greater than the value that you enter. For example: If you specify 640x360 the lowest resolution in your ABR stack will be equal to or greater than to 640x360. * If you specify a Min top rendition size rule, the value that you specify for Min bottom rendition size must be less than, or equal to, Min top rendition size.

MinTopRenditionSize

Use Min top rendition size to specify a minimum size for the highest resolution in your ABR stack. * The highest resolution in your ABR stack will be equal to or greater than the value that you enter. For example: If you specify 1280x720 the highest resolution in your ABR stack will be equal to or greater than 1280x720. * If you specify a value for Max resolution, the value that you specify for Min top rendition size must be less than, or equal to, Max resolution.

RuleType

Use Min top rendition size to specify a minimum size for the highest resolution in your ABR stack. * The highest resolution in your ABR stack will be equal to or greater than the value that you enter. For example: If you specify 1280x720 the highest resolution in your ABR stack will be equal to or greater than 1280x720. * If you specify a value for Max resolution, the value that you specify for Min top rendition size must be less than, or equal to, Max resolution. Use Min bottom rendition size to specify a minimum size for the lowest resolution in your ABR stack. * The lowest resolution in your ABR stack will be equal to or greater than the value that you enter. For example: If you specify 640x360 the lowest resolution in your ABR stack will be equal to or greater than to 640x360. * If you specify a Min top rendition size rule, the value that you specify for Min bottom rendition size must be less than, or equal to, Min top rendition size. Use Force include renditions to specify one or more resolutions to include your ABR stack. * (Recommended) To optimize automated ABR, specify as few resolutions as possible. * (Required) The number of resolutions that you specify must be equal to, or less than, the Max renditions setting. * If you specify a Min top rendition size rule, specify at least one resolution that is equal to, or greater than, Min top rendition size. * If you specify a Min bottom rendition size rule, only specify resolutions that are equal to, or greater than, Min bottom rendition size. * If you specify a Force include renditions rule, do not specify a separate rule for Allowed renditions. * Note: The ABR stack may include other resolutions that you do not specify here, depending on the Max renditions setting. Use Allowed renditions to specify a list of possible resolutions in your ABR stack. * (Required) The number of resolutions that you specify must be equal to, or greater than, the Max renditions setting. * MediaConvert will create an ABR stack exclusively from the list of resolutions that you specify. * Some resolutions in the Allowed renditions list may not be included, however you can force a resolution to be included by setting Required to ENABLED. * You must specify at least one resolution that is greater than or equal to any resolutions that you specify in Min top rendition size or Min bottom rendition size. * If you specify Allowed renditions, you must not specify a separate rule for Force include renditions.

integer

Minimum: 100000

Maximum: 100000000

Specify the maximum average bitrate for MediaConvert to use in your automated ABR stack. If you don't specify a value, MediaConvert uses 8,000,000 (8 mb/s) by default. The average bitrate of your highest-quality rendition will be equal to or below this value, depending on the quality, complexity, and resolution of your content. Note that the instantaneous maximum bitrate may vary above the value that you specify.

integer

Minimum: 3

Maximum: 15

Optional. The maximum number of renditions that MediaConvert will create in your automated ABR stack. The number of renditions is determined automatically, based on analysis of each job, but will never exceed this limit. When you set this to Auto in the console, which is equivalent to excluding it from your JSON job specification, MediaConvert defaults to a limit of 15.

integer

Minimum: 100000

Maximum: 100000000

Specify the minimum average bitrate for MediaConvert to use in your automated ABR stack. If you don't specify a value, MediaConvert uses 600,000 (600 kb/s) by default. The average bitrate of your lowest-quality rendition will be near this value. Note that the instantaneous minimum bitrate may vary below the value that you specify.

Array of type AutomatedAbrRule

Optional. Use Automated ABR rules to specify restrictions for the rendition sizes MediaConvert will create in your ABR stack. You can use these rules if your ABR workflow has specific rendition size requirements, but you still want MediaConvert to optimize for video quality and overall file size.

AutomatedAbrSettings

Use automated ABR to have MediaConvert set up the renditions in your ABR package for you automatically, based on characteristics of your input video. This feature optimizes video quality while minimizing the overall size of your ABR package.

integer

Minimum: 1

Maximum: 10

Use this setting only when you set Rate control mode to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.

number

Format: float

Minimum: 0.0

Maximum: 1.0

Optional. Specify a value here to set the QVBR quality to a level that is between whole numbers. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33. MediaConvert rounds your QVBR quality level to the nearest third of a whole number. For example, if you set qvbrQualityLevel to 7 and you set qvbrQualityLevelFineTune to .25, your actual QVBR quality level is 7.33.

Av1AdaptiveQuantization

Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to Spatial adaptive quantization.

Av1BitDepth

Specify the Bit depth. You can choose 8-bit or 10-bit.

Av1FilmGrainSynthesis

Film grain synthesis replaces film grain present in your content with similar quality synthesized AV1 film grain. We recommend that you choose Enabled to reduce the bandwidth of your QVBR quality level 5, 6, 7, or 8 outputs. For QVBR quality level 9 or 10 outputs we recommend that you keep the default value, Disabled. When you include Film grain synthesis, you cannot include the Noise reducer preprocessor.

Av1FramerateControl

Use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.

Av1FramerateConversionAlgorithm

Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate. For numerically simple conversions, such as 60 fps to 30 fps: We recommend that you keep the default value, Drop duplicate. For numerically complex conversions, to avoid stutter: Choose Interpolate. This results in a smooth picture, but might introduce undesirable video artifacts. For complex frame rate conversions, especially if your source video has already been converted from its original cadence: Choose FrameFormer to do motion-compensated interpolation. FrameFormer uses the best conversion method frame by frame. Note that using FrameFormer increases the transcoding time and incurs a significant add-on cost. When you choose FrameFormer, your input video resolution must be at least 128x96.

integer

Minimum: 1

Maximum: 2147483647

When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.

integer

Minimum: 1

Maximum: 2147483647

When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.

number

Format: float

Minimum: 0.0

Specify the GOP length (keyframe interval) in frames. With AV1, MediaConvert doesn't support GOP length in seconds. This value must be greater than zero and preferably equal to 1 + ((numberBFrames + 1) * x), where x is an integer value.

integer

Minimum: 1000

Maximum: 1152000000

Maximum bitrate in bits/second. For example, enter five megabits per second as 5000000. Required when Rate control mode is QVBR.

integer

Minimum: 0

Maximum: 15

Specify from the number of B-frames, in the range of 0-15. For AV1 encoding, we recommend using 7 or 15. Choose a larger number for a lower bitrate and smaller file size; choose a smaller number for better video quality.

Av1QvbrSettings

Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode.

Av1RateControlMode

'With AV1 outputs, for rate control mode, MediaConvert supports only quality-defined variable bitrate (QVBR). You can''t use CBR or VBR.'

integer

Minimum: 1

Maximum: 32

Specify the number of slices per picture. This value must be 1, 2, 4, 8, 16, or 32. For progressive pictures, this value must be less than or equal to the number of macroblock rows. For interlaced pictures, this value must be less than or equal to half the number of macroblock rows.

Av1SpatialAdaptiveQuantization

Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.

string

Pattern: ^((s3://(.*?)\.(bmp|BMP|png|PNG))|(https?://(.*?)\.(bmp|BMP|png|PNG)(\?([^&=]+=[^&]+&)*[^&=]+=[^&]+)?))$

MinLength: 14

Blanking image to be used. Leave empty for solid black. Only bmp and png images are supported.

AvcIntraClass

Specify the AVC-Intra class of your output. The AVC-Intra class selection determines the output video bit rate depending on the frame rate of the output. Outputs with higher class values have higher bitrates and improved image quality. Note that for Class 4K/2K, MediaConvert supports only 4:2:2 chroma subsampling.

AvcIntraUhdSettings

Optional when you set AVC-Intra class to Class 4K/2K. When you set AVC-Intra class to a different value, this object isn't allowed.

AvcIntraFramerateControl

If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.

AvcIntraFramerateConversionAlgorithm

Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate. For numerically simple conversions, such as 60 fps to 30 fps: We recommend that you keep the default value, Drop duplicate. For numerically complex conversions, to avoid stutter: Choose Interpolate. This results in a smooth picture, but might introduce undesirable video artifacts. For complex frame rate conversions, especially if your source video has already been converted from its original cadence: Choose FrameFormer to do motion-compensated interpolation. FrameFormer uses the best conversion method frame by frame. Note that using FrameFormer increases the transcoding time and incurs a significant add-on cost. When you choose FrameFormer, your input video resolution must be at least 128x96.

integer

Minimum: 1

Maximum: 1001

When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateDenominator to specify the denominator of this fraction. In this example, use 1001 for the value of FramerateDenominator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.

integer

Minimum: 24

Maximum: 60000

When you use the API for transcode jobs that use frame rate conversion, specify the frame rate as a fraction. For example, 24000 / 1001 = 23.976 fps. Use FramerateNumerator to specify the numerator of this fraction. In this example, use 24000 for the value of FramerateNumerator. When you use the console for transcode jobs that use frame rate conversion, provide the value as a decimal number for Framerate. In this example, specify 23.976.

AvcIntraInterlaceMode

Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.

AvcIntraScanTypeConversionMode

Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.

AvcIntraSlowPal

Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25.

AvcIntraTelecine

When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine to create a smoother picture. When you keep the default value, None, MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.

AvcIntraUhdQualityTuningLevel

Optional. Use Quality tuning level to choose how many transcoding passes MediaConvert does with your video. When you choose Multi-pass, your video quality is better and your output bitrate is more accurate. That is, the actual bitrate of your output is closer to the target bitrate defined in the specification. When you choose Single-pass, your encoding time is faster. The default behavior is Single-pass.

BandwidthReductionFilterSharpening

Optionally specify the level of sharpening to apply when you use the Bandwidth reduction filter. Sharpening adds contrast to the edges of your video content and can reduce softness. Keep the default value Off to apply no sharpening. Set Sharpening strength to Low to apply a minimal amount of sharpening, or High to apply a maximum amount of sharpening.

BandwidthReductionFilterStrength

Specify the strength of the Bandwidth reduction filter. For most workflows, we recommend that you choose Auto to reduce the bandwidth of your output with little to no perceptual decrease in video quality. For high quality and high bitrate outputs, choose Low. For the most bandwidth reduction, choose High. We recommend that you choose High for low bitrate outputs. Note that High may incur a slight increase in the softness of your output.

BurninSubtitleAlignment

Specify the alignment of your captions. If no explicit x_position is provided, setting alignment to centered will placethe captions at the bottom center of the output. Similarly, setting a left alignment willalign captions to the bottom left of the output. If x and y positions are given in conjunction with the alignment parameter, the font will be justified (either left or centered) relative to those coordinates.

BurninSubtitleApplyFontColor

Ignore this setting unless Style passthrough is set to Enabled and Font color set to Black, Yellow, Red, Green, Blue, or Hex. Use Apply font color for additional font color controls. When you choose White text only, or leave blank, your font color setting only applies to white text in your input captions. For example, if your font color setting is Yellow, and your input captions have red and white text, your output captions will have red and yellow text. When you choose ALL_TEXT, your font color setting applies to all of your output captions text.

BurninSubtitleBackgroundColor

Specify the color of the rectangle behind the captions. Leave background color blank and set Style passthrough to enabled to use the background color data from your input captions, if present.

integer

Minimum: 0

Maximum: 255

Specify the opacity of the background rectangle. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to enabled, leave blank to pass through the background style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all backgrounds from your output captions.

BurninSubtitleFallbackFont

Specify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support. When you set Fallback font to best match, or leave blank, MediaConvert uses a supported font that most closely matches the font that your input captions specify. When there are multiple unsupported fonts in your input captions, MediaConvert matches each font with the supported font that matches best. When you explicitly choose a replacement font, MediaConvert uses that font to replace all unsupported fonts from your input.

BurninSubtitleFontColor

Specify the color of the burned-in captions text. Leave Font color blank and set Style passthrough to enabled to use the font color data from your input captions, if present.

string

Pattern: ^((s3://(.*?)\.(ttf))|(https?://(.*?)\.(ttf)(\?([^&=]+=[^&]+&)*[^&=]+=[^&]+)?))$

Specify a bold TrueType font file to use when rendering your output captions. Enter an S3, HTTP, or HTTPS URL. When you do, you must also separately specify a regular, an italic, and a bold italic font file.

string

Specify a bold italic TrueType font file to use when rendering your output captions. Enter an S3, HTTP, or HTTPS URL. When you do, you must also separately specify a regular, a bold, and an italic font file.

string

Pattern: ^((s3://(.*?)\.(ttf))|(https?://(.*?)\.(ttf)(\?([^&=]+=[^&]+&)*[^&=]+=[^&]+)?))$

Specify an italic TrueType font file to use when rendering your output captions. Enter an S3, HTTP, or HTTPS URL. When you do, you must also separately specify a regular, a bold, and a bold italic font file.

string

Pattern: ^((s3://(.*?)\.(ttf))|(https?://(.*?)\.(ttf)(\?([^&=]+=[^&]+&)*[^&=]+=[^&]+)?))$

Specify a regular TrueType font file to use when rendering your output captions. Enter an S3, HTTP, or HTTPS URL. When you do, you must also separately specify a bold, an italic, and a bold italic font file.

integer

Minimum: 0

Maximum: 255

Specify the opacity of the burned-in captions. 255 is opaque; 0 is transparent.

integer

Minimum: 96

Maximum: 600

Specify the Font resolution in DPI (dots per inch).

FontScript

Set Font script to Automatically determined, or leave blank, to automatically determine the font script in your input captions. Otherwise, set to Simplified Chinese (HANS) or Traditional Chinese (HANT) if your input font script uses Simplified or Traditional Chinese.

integer

Minimum: 0

Maximum: 96

Specify the Font size in pixels. Must be a positive integer. Set to 0, or leave blank, for automatic font size.

string

Pattern: ^[0-9a-fA-F]{6}([0-9a-fA-F]{2})?$

MinLength: 6

MaxLength: 8

Ignore this setting unless your Font color is set to Hex. Enter either six or eight hexidecimal digits, representing red, green, and blue, with two optional extra digits for alpha. For example a value of 1122AABB is a red value of 0x11, a green value of 0x22, a blue value of 0xAA, and an alpha value of 0xBB.

BurninSubtitleOutlineColor

Specify font outline color. Leave Outline color blank and set Style passthrough to enabled to use the font outline color data from your input captions, if present.

integer

Minimum: 0

Maximum: 10

Specify the Outline size of the caption text, in pixels. Leave Outline size blank and set Style passthrough to enabled to use the outline size data from your input captions, if present.

BurninSubtitleShadowColor

Specify the color of the shadow cast by the captions. Leave Shadow color blank and set Style passthrough to enabled to use the shadow color data from your input captions, if present.

integer

Minimum: 0

Maximum: 255

Specify the opacity of the shadow. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to Enabled, leave Shadow opacity blank to pass through the shadow style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all shadows from your output captions.

integer

Minimum: -2147483648

Maximum: 2147483647

Specify the horizontal offset of the shadow, relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels to the left.

integer

Minimum: -2147483648

Maximum: 2147483647

Specify the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. Leave Shadow y-offset blank and set Style passthrough to enabled to use the shadow y-offset data from your input captions, if present.

BurnInSubtitleStylePassthrough

To use the available style, color, and position information from your input captions: Set Style passthrough to Enabled. Note that MediaConvert uses default settings for any missing style or position information in your input captions To ignore the style and position information from your input captions and use default settings: Leave blank or keep the default value, Disabled. Default settings include white text with black outlining, bottom-center positioning, and automatic sizing. Whether you set Style passthrough to enabled or not, you can also choose to manually override any of the individual style and position settings. You can also override any fonts by manually specifying custom font files.

BurninSubtitleTeletextSpacing

Specify whether the text spacing in your captions is set by the captions grid, or varies depending on letter width. Choose fixed grid to conform to the spacing specified in the captions file more accurately. Choose proportional to make the text easier to read for closed captions.

integer

Minimum: 0

Maximum: 2147483647

Specify the horizontal position of the captions, relative to the left side of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the left of the output. If no explicit x_position is provided, the horizontal caption position will be determined by the alignment parameter.

integer

Minimum: 0

Maximum: 2147483647

Specify the vertical position of the captions, relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output.

string

The Job ID of the job to be cancelled.

string

MinLength: 1

Specifies which "Caption Selector":#inputs-caption_selector to use from each input when generating captions. The name should be of the format "Caption Selector <N>", which denotes that the Nth Caption Selector will be used from each input.

string

Pattern: ^[A-Za-z]{2,3}(-[A-Za-z-]+)?$

Specify the language for this captions output track. For most captions output formats, the encoder puts this language information in the output captions metadata. If your output captions format is DVB-Sub or Burn in, the encoder uses this language information when automatically selecting the font script for rendering the captions text. For all outputs, you can use an ISO 639-2 or ISO 639-3 code. For streaming outputs, you can also use any other code in the full RFC-5646 specification. Streaming outputs are those that are in one of the following output groups: CMAF, DASH ISO, Apple HLS, or Microsoft Smooth Streaming.

CaptionDestinationSettings

Settings related to one captions tab on the MediaConvert console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.

LanguageCode

Specify the language of this captions output track. For most captions output formats, the encoder puts this language information in the output captions metadata. If your output captions format is DVB-Sub or Burn in, the encoder uses this language information to choose the font language for rendering the captions text.

string

Specify a label for this set of output captions. For example, "English", "Director commentary", or "track_2". For streaming outputs, MediaConvert passes this information into destination manifests for display on the end-viewer's player device. For outputs in other output groups, the service ignores this setting.

BurninDestinationSettings

Burn-in is a captions delivery method, rather than a captions format. Burn-in writes the captions directly on your video frames, replacing pixels of video content with the captions. Set up burn-in captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/burn-in-output-captions.html.

CaptionDestinationType

Specify the format for this set of captions on this output. The default format is embedded without SCTE-20. Note that your choice of video output container constrains your choice of output captions format. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/captions-support-tables.html. If you are using SCTE-20 and you want to create an output that complies with the SCTE-43 spec, choose SCTE-20 plus embedded. To create a non-compliant output where the embedded captions come first, choose Embedded plus SCTE-20.

DvbSubDestinationSettings

Settings related to DVB-Sub captions. Set up DVB-Sub captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/dvb-sub-output-captions.html.

EmbeddedDestinationSettings

Settings related to CEA/EIA-608 and CEA/EIA-708 (also called embedded or ancillary) captions. Set up embedded captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/embedded-output-captions.html.

ImscDestinationSettings

Settings related to IMSC captions. IMSC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.

SccDestinationSettings

Settings related to SCC captions. SCC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/scc-srt-output-captions.html.

SrtDestinationSettings

Settings related to SRT captions. SRT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video.

TeletextDestinationSettings

Settings related to teletext captions. Set up teletext captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/teletext-output-captions.html.

TtmlDestinationSettings

Settings related to TTML captions. TTML is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.

WebvttDestinationSettings

Settings related to WebVTT captions. WebVTT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.

string

Pattern: ^[A-Za-z]{3}$

MinLength: 3

MaxLength: 3

The specific language to extract from source, using the ISO 639-2 or ISO 639-3 three-letter language code. If input is SCTE-27, complete this field and/or PID to select the caption language to extract. If input is DVB-Sub and output is Burn-in, complete this field and/or PID to select the caption language to extract. If input is DVB-Sub that is being passed through, omit this field (and PID field); there is no way to extract a specific language with pass-through captions.

LanguageCode

The specific language to extract from source. If input is SCTE-27, complete this field and/or PID to select the caption language to extract. If input is DVB-Sub and output is Burn-in, complete this field and/or PID to select the caption language to extract. If input is DVB-Sub that is being passed through, omit this field (and PID field); there is no way to extract a specific language with pass-through captions.

CaptionSourceSettings

If your input captions are SCC, TTML, STL, SMI, SRT, or IMSC in an xml file, specify the URI of the input captions source file. If your input captions are IMSC in an IMF package, use TrackSourceSettings instead of FileSoureSettings.

integer

Minimum: 1

Maximum: 1001

Specify the denominator of the fraction that represents the frame rate for the setting Caption source frame rate. Use this setting along with the setting Framerate numerator.

integer

Minimum: 1

Maximum: 60000

Specify the numerator of the fraction that represents the frame rate for the setting Caption source frame rate. Use this setting along with the setting Framerate denominator.

AncillarySourceSettings

Settings for ancillary captions source.

DvbSubSourceSettings

DVB Sub Source Settings

EmbeddedSourceSettings

Settings for embedded captions Source

FileSourceSettings

If your input captions are SCC, SMI, SRT, STL, TTML, WebVTT, or IMSC 1.1 in an xml file, specify the URI of the input caption source file. If your caption source is IMSC in an IMF package, use TrackSourceSettings instead of FileSoureSettings.

CaptionSourceType

Use Source to identify the format of your input captions. The service cannot auto-detect caption format.

TeletextSourceSettings

Settings specific to Teletext caption sources, including Page number.

TrackSourceSettings

Settings specific to caption sources that are specified by track number. Currently, this is only IMSC captions in an IMF package. If your caption source is IMSC 1.1 in a separate xml file, use FileSourceSettings instead of TrackSourceSettings.

WebvttHlsSourceSettings

Settings specific to WebVTT sources in HLS alternative rendition group. Specify the properties (renditionGroupId, renditionName or renditionLanguageCode) to identify the unique subtitle track among the alternative rendition groups present in the HLS manifest. If no unique track is found, or multiple tracks match the specified properties, the job fails. If there is only one subtitle track in the rendition group, the settings can be left empty and the default subtitle track will be chosen. If your caption source is a sidecar file, use FileSourceSettings instead of WebvttHlsSourceSettings.

Array of type OutputChannelMapping

In your JSON job specification, include one child of OutputChannels for each audio channel that you want in your output. Each child should contain one instance of InputChannels or InputChannelsFineTune.

integer

Minimum: 90

Maximum: 105

Specify the Maximum RGB color sample range tolerance for your output. MediaConvert corrects any YUV values that, when converted to RGB, would be outside the upper tolerance that you specify. Enter an integer from 90 to 105 as an offset percentage to the maximum possible value. Leave blank to use the default value 100. When you specify a value for Maximum RGB tolerance, you must set Sample range conversion to Limited range clip.

integer

Minimum: 920

Maximum: 1023

Specify the Maximum YUV color sample limit. MediaConvert conforms any pixels in your input above the value that you specify to typical limited range bounds. Enter an integer from 920 to 1023. Leave blank to use the default value 940. The value that you enter applies to 10-bit ranges. For 8-bit ranges, MediaConvert automatically scales this value down. When you specify a value for Maximum YUV, you must set Sample range conversion to Limited range clip.

integer

Minimum: -5

Maximum: 10

Specify the Minimum RGB color sample range tolerance for your output. MediaConvert corrects any YUV values that, when converted to RGB, would be outside the lower tolerance that you specify. Enter an integer from -5 to 10 as an offset percentage to the minimum possible value. Leave blank to use the default value 0. When you specify a value for Minimum RGB tolerance, you must set Sample range conversion to Limited range clip.

integer

Minimum: 0

Maximum: 128

Specify the Minimum YUV color sample limit. MediaConvert conforms any pixels in your input below the value that you specify to typical limited range bounds. Enter an integer from 0 to 128. Leave blank to use the default value 64. The value that you enter applies to 10-bit ranges. For 8-bit ranges, MediaConvert automatically scales this value down. When you specify a value for Minumum YUV, you must set Sample range conversion to Limited range clip.

string

MinLength: 1

Specify a name modifier that the service adds to the name of this manifest to make it different from the file names of the other main manifests in the output group. For example, say that the default main manifest for your HLS group is film-name.m3u8. If you enter "-no-premium" for this setting, then the file name the service generates for this top-level manifest is film-name-no-premium.m3u8. For HLS output groups, specify a manifestNameModifier that is different from the nameModifier of the output. The service uses the output name modifier to create unique names for the individual variant manifests.

Array of type string

MinLength: 1

Specify the outputs that you want this additional top-level manifest to reference.

string

Pattern: ^[0-9a-fA-F]{32}$

MinLength: 32

MaxLength: 32

This is a 128-bit, 16-byte hex value represented by a 32-character text string. If this parameter is not set then the Initialization Vector will follow the segment number by default.

CmafEncryptionType

Specify the encryption scheme that you want the service to use when encrypting your CMAF segments. Choose AES-CBC subsample or AES_CTR.

CmafInitializationVectorInManifest

When you use DRM with CMAF outputs, choose whether the service writes the 128-bit encryption initialization vector in the HLS and DASH manifests.

SpekeKeyProviderCmaf

If your output group type is CMAF, use these settings when doing DRM encryption with a SPEKE-compliant key provider. If your output group type is HLS, DASH, or Microsoft Smooth, use the SpekeKeyProvider settings instead.

StaticKeyProvider

Use these settings to set up encryption with a static key provider.

CmafKeyProviderType

Specify whether your DRM encryption key is static or from a key provider that follows the SPEKE standard. For more information about SPEKE, see https://docs.aws.amazon.com/speke/latest/documentation/what-is-speke.html.

Array of type CmafAdditionalManifest

By default, the service creates one top-level .m3u8 HLS manifest and one top -level .mpd DASH manifest for each CMAF output group in your job. These default manifests reference every output in the output group. To create additional top-level manifests that reference a subset of the outputs in the output group, specify a list of them here. For each additional manifest that you specify, the service creates one HLS manifest and one DASH manifest.

string

A partial URI prefix that will be put in the manifest file at the top level BaseURL element. Can be used if streams are delivered from a different URL than the manifest file.

CmafClientCache

Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag. Otherwise, keep the default value Enabled and control caching in your video distribution set up. For example, use the Cache-Control http header.

CmafCodecSpecification

Specification to use (RFC-6381 or the default RFC-4281) during m3u8 playlist generation.

string

MinLength: 1

MaxLength: 256

Specify whether MediaConvert generates I-frame only video segments for DASH trick play, also known as trick mode. When specified, the I-frame only video segments are included within an additional AdaptationSet in your DASH output manifest. To generate I-frame only video segments: Enter a name as a text string, up to 256 character long. This name is appended to the end of this output group's base filename, that you specify as part of your destination URI, and used for the I-frame only video segment files. You may also include format identifiers. For more information, see: https://docs.aws.amazon.com/mediaconvert/latest/ug/using-variables-in-your-job-settings.html#using-settings-variables-with-streaming-outputs To not generate I-frame only video segments: Leave blank.

DashManifestStyle

Specify how MediaConvert writes SegmentTimeline in your output DASH manifest. To write a SegmentTimeline in each video Representation: Keep the default value, Basic. To write a common SegmentTimeline in the video AdaptationSet: Choose Compact. Note that MediaConvert will still write a SegmentTimeline in any Representation that does not share a common timeline. To write a video AdaptationSet for each different output framerate, and a common SegmentTimeline in each AdaptationSet: Choose Distinct.

string

Pattern: ^s3:\/\/

Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.

DestinationSettings

Settings associated with the destination. Will vary based on the type of destination

CmafEncryptionSettings

DRM settings.

integer

Minimum: 1

Maximum: 2147483647

Specify the length, in whole seconds, of the mp4 fragments. When you don't specify a value, MediaConvert defaults to 2. Related setting: Use Fragment length control to specify whether the encoder enforces this value strictly.

CmafImageBasedTrickPlay

Specify whether MediaConvert generates images for trick play. Keep the default value, None, to not generate any images. Choose Thumbnail to generate tiled thumbnails. Choose Thumbnail and full frame to generate tiled thumbnails and full-resolution images of single frames. When you enable Write HLS manifest, MediaConvert creates a child manifest for each set of images that you generate and adds corresponding entries to the parent manifest. When you enable Write DASH manifest, MediaConvert adds an entry in the .mpd manifest for each set of images that you generate. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md

CmafImageBasedTrickPlaySettings

Tile and thumbnail settings applicable when imageBasedTrickPlay is ADVANCED

CmafManifestCompression

When set to GZIP, compresses HLS playlist.

CmafManifestDurationFormat

Indicates whether the output manifest should use floating point values for segment duration.

integer

Minimum: 0

Maximum: 2147483647

Minimum time of initially buffered media that is needed to ensure smooth playout.

number

Format: float

Minimum: 0.0

Maximum: 2.147483647E9

Keep this setting at the default value of 0, unless you are troubleshooting a problem with how devices play back the end of your video asset. If you know that player devices are hanging on the final segment of your video because the length of your final segment is too short, use this setting to specify a minimum final segment length, in seconds. Choose a value that is greater than or equal to 1 and less than your segment length. When you specify a value for this setting, the encoder will combine any final segment that is shorter than the length that you specify with the previous segment. For example, your segment length is 3 seconds and your final segment is .5 seconds without a minimum final segment length; when you set the minimum final segment length to 1, your final segment is 3.5 seconds.

CmafMpdManifestBandwidthType

Specify how the value for bandwidth is determined for each video Representation in your output MPD manifest. We recommend that you choose a MPD manifest bandwidth type that is compatible with your downstream player configuration. Max: Use the same value that you specify for Max bitrate in the video output, in bits per second. Average: Use the calculated average bitrate of the encoded video output, in bits per second.

CmafMpdProfile

Specify whether your DASH profile is on-demand or main. When you choose Main profile, the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand, the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control to Single file.

CmafPtsOffsetHandlingForBFrames

Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS). Specify how MediaConvert handles PTS when writing time stamps in output DASH manifests. Choose Match initial PTS when you want MediaConvert to use the initial PTS as the first time stamp in the manifest. Choose Zero-based to have MediaConvert ignore the initial PTS in the video stream and instead write the initial time stamp as zero in the manifest. For outputs that don't have B-frames, the time stamps in your DASH manifests start at zero regardless of your choice here.

CmafSegmentControl

When set to SINGLE_FILE, a single output file is generated, which is internally segmented using the Fragment Length and Segment Length. When set to SEGMENTED_FILES, separate segment files will be created.

integer

Minimum: 1

Maximum: 2147483647

Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 10. Related settings: Use Segment length control to specify whether the encoder enforces this value strictly. Use Segment control to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.

CmafSegmentLengthControl

Specify how you want MediaConvert to determine the segment length. Choose Exact to have the encoder use the exact length that you specify with the setting Segment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.

CmafStreamInfResolution

Include or exclude RESOLUTION attribute for video in EXT-X-STREAM-INF tag of variant manifest.

CmafTargetDurationCompatibilityMode

When set to LEGACY, the segment target duration is always rounded up to the nearest integer value above its current value in seconds. When set to SPEC\\_COMPLIANT, the segment target duration is rounded up to the nearest integer value if fraction seconds are greater than or equal to 0.5 (>= 0.5) and rounded down if less than 0.5 (< 0.5). You may need to use LEGACY if your client needs to ensure that the target duration is always longer than the actual duration of the segment. Some older players may experience interrupted playback when the actual duration of a track in a segment is longer than the target duration.

CmafVideoCompositionOffsets

Specify the video sample composition time offset mode in the output fMP4 TRUN box. For wider player compatibility, set Video composition offsets to Unsigned or leave blank. The earliest presentation time may be greater than zero, and sample composition time offsets will increment using unsigned integers. For strict fMP4 video and audio timing, set Video composition offsets to Signed. The earliest presentation time will be equal to zero, and sample composition time offsets will increment using signed integers.

CmafWriteDASHManifest

When set to ENABLED, a DASH MPD manifest will be generated for this output.

CmafWriteHLSManifest

When set to ENABLED, an Apple HLS manifest will be generated for this output.

CmafWriteSegmentTimelineInRepresentation

When you enable Precise segment duration in DASH manifests, your DASH manifest shows precise segment durations. The segment duration information appears inside the SegmentTimeline element, inside SegmentTemplate at the Representation level. When this feature isn't enabled, the segment durations in your DASH manifest are approximate. The segment duration information appears in the duration attribute of the SegmentTemplate element.

CmafIntervalCadence

The cadence MediaConvert follows for generating thumbnails. If set to FOLLOW_IFRAME, MediaConvert generates thumbnails for each IDR frame in the output (matching the GOP cadence). If set to FOLLOW_CUSTOM, MediaConvert generates thumbnails according to the interval you specify in thumbnailInterval.

integer

Minimum: 2

Maximum: 4096

Height of each thumbnail within each tile image, in pixels. Leave blank to maintain aspect ratio with thumbnail width. If following the aspect ratio would lead to a total tile height greater than 4096, then the job will be rejected. Must be divisible by 2.

number

Format: float

Minimum: 0.0

Maximum: 2.147483647E9

Enter the interval, in seconds, that MediaConvert uses to generate thumbnails. If the interval you enter doesn't align with the output frame rate, MediaConvert automatically rounds the interval to align with the output frame rate. For example, if the output frame rate is 29.97 frames per second and you enter 5, MediaConvert uses a 150 frame interval to generate thumbnails.

integer

Minimum: 8

Maximum: 4096

Width of each thumbnail within each tile image, in pixels. Default is 312. Must be divisible by 8.

integer

Minimum: 1

Maximum: 2048

Number of thumbnails in each column of a tile image. Set a value between 2 and 2048. Must be divisible by 2.

integer

Minimum: 1

Maximum: 512

Number of thumbnails in each row of a tile image. Set a value between 1 and 512.

CmfcAudioDuration

Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration. In all other cases, keep the default value, Default codec duration. When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.

string

Specify the audio rendition group for this audio rendition. Specify up to one value for each audio output in your output group. This value appears in your HLS parent manifest in the EXT-X-MEDIA tag of TYPE=AUDIO, as the value for the GROUP-ID attribute. For example, if you specify "audio_aac_1" for Audio group ID, it appears in your manifest like this: #EXT-X-MEDIA:TYPE=AUDIO,GROUP-ID="audio_aac_1". Related setting: To associate the rendition group that this audio track belongs to with a video rendition, include the same value that you provide here for that video output's setting Audio rendition sets.

string

List the audio rendition groups that you want included with this video rendition. Use a comma-separated list. For example, say you want to include the audio rendition groups that have the audio group IDs "audio_aac_1" and "audio_dolby". Then you would specify this value: "audio_aac_1,audio_dolby". Related setting: The rendition groups that you include in your comma-separated list should all match values that you specify in the setting Audio group ID for audio renditions in the same output group as this video rendition. Default behavior: If you don't specify anything here and for Audio group ID, MediaConvert puts each audio variant in its own audio rendition group and associates it with every video variant. Each value in your list appears in your HLS parent manifest in the EXT-X-STREAM-INF tag as the value for the AUDIO attribute. To continue the previous example, say that the file name for the child manifest for your video rendition is "amazing_video_1.m3u8". Then, in your parent manifest, each value will appear on separate lines, like this: #EXT-X-STREAM-INF:AUDIO="audio_aac_1"... amazing_video_1.m3u8 #EXT-X-STREAM-INF:AUDIO="audio_dolby"... amazing_video_1.m3u8

CmfcAudioTrackType

Use this setting to control the values that MediaConvert puts in your HLS parent playlist to control how the client player selects which audio track to play. Choose Audio-only variant stream (AUDIO_ONLY_VARIANT_STREAM) for any variant that you want to prohibit the client from playing with video. This causes MediaConvert to represent the variant as an EXT-X-STREAM-INF in the HLS manifest. The other options for this setting determine the values that MediaConvert writes for the DEFAULT and AUTOSELECT attributes of the EXT-X-MEDIA entry for the audio variant. For more information about these attributes, see the Apple documentation article https://developer.apple.com/documentation/http_live_streaming/example_playlists_for_http_live_streaming/adding_alternate_media_to_a_playlist. Choose Alternate audio, auto select, default to set DEFAULT=YES and AUTOSELECT=YES. Choose this value for only one variant in your output group. Choose Alternate audio, auto select, not default to set DEFAULT=NO and AUTOSELECT=YES. Choose Alternate Audio, Not Auto Select to set DEFAULT=NO and AUTOSELECT=NO. When you don't specify a value for this setting, MediaConvert defaults to Alternate audio, auto select, default. When there is more than one variant in your output group, you must explicitly choose a value for this setting.

CmfcDescriptiveVideoServiceFlag

Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest. When you choose Flag, MediaConvert includes the parameter CHARACTERISTICS="public.accessibility.describes-video" in the EXT-X-MEDIA entry for this track. When you keep the default choice, Don't flag, MediaConvert leaves this parameter out. The DVS flag can help with accessibility on Apple devices. For more information, see the Apple documentation.

CmfcIFrameOnlyManifest

Choose Include to have MediaConvert generate an HLS child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition. You might use this manifest as part of a workflow that creates preview functions for your video. MediaConvert adds both the I-frame only child manifest and the regular child manifest to the parent manifest. When you don't need the I-frame only child manifest, keep the default value Exclude.

CmfcKlvMetadata

To include key-length-value metadata in this output: Set KLV metadata insertion to Passthrough. MediaConvert reads KLV metadata present in your input and writes each instance to a separate event message box in the output, according to MISB ST1910.1. To exclude this KLV metadata: Set KLV metadata insertion to None or leave blank.

CmfcManifestMetadataSignaling

To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata signaling to Enabled. For ID3 event messages, the InbandEventStream element schemeIdUri will be same value that you specify for ID3 metadata scheme ID URI. For SCTE35 event messages, the InbandEventStream element schemeIdUri will be "urn:scte:scte35:2013:bin". To leave these elements out of your output MPD manifest, set Manifest metadata signaling to Disabled. To enable Manifest metadata signaling, you must also set SCTE-35 source to Passthrough, ESAM SCTE-35 to insert, or ID3 metadata to Passthrough.

CmfcScte35Esam

Use this setting only when you specify SCTE-35 markers from ESAM. Choose INSERT to put SCTE-35 markers in this output at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML.

CmfcScte35Source

Ignore this setting unless you have SCTE-35 markers in your input video file. Choose Passthrough if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None if you don't want those SCTE-35 markers in this output.

CmfcTimedMetadata

To include ID3 metadata in this output: Set ID3 metadata to Passthrough. Specify this ID3 metadata in Custom ID3 metadata inserter. MediaConvert writes each instance of ID3 metadata in a separate Event Message (eMSG) box. To exclude this ID3 metadata: Set ID3 metadata to None or leave blank.

CmfcTimedMetadataBoxVersion

Specify the event message box (eMSG) version for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.3 Syntax. Leave blank to use the default value Version 0. When you specify Version 1, you must also set ID3 metadata to Passthrough.

string

MaxLength: 1000

Specify the event message box (eMSG) scheme ID URI for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. Leave blank to use the default value: https://aomedia.org/emsg/ID3 When you specify a value for ID3 metadata scheme ID URI, you must also set ID3 metadata to Passthrough.

string

MaxLength: 1000

Specify the event message box (eMSG) value for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. When you specify a value for ID3 Metadata Value, you must also set ID3 metadata to Passthrough.

string

Pattern: ^((s3://(.*?)\.(cube|CUBE))|(https?://(.*?)\.(cube|CUBE)(\?([^&=]+=[^&]+&)*[^&=]+=[^&]+)?))$

MinLength: 14

Specify the input file S3, HTTP, or HTTPS URL for your 3D LUT .cube file. Note that MediaConvert accepts 3D LUT files up to 8MB in size.

ColorSpace

Specify which inputs use this 3D LUT, according to their color space.

integer

Minimum: 0

Maximum: 2147483647

Specify which inputs use this 3D LUT, according to their luminance. To apply this 3D LUT to HDR10 or P3D65 (HDR) inputs with a specific mastering luminance: Enter an integer from 0 to 2147483647, corresponding to the input's Maximum luminance value. To apply this 3D LUT to any input regardless of its luminance: Leave blank, or enter 0.

ColorSpace

Specify which outputs use this 3D LUT, according to their color space.

integer

Minimum: 0

Maximum: 2147483647

Specify which outputs use this 3D LUT, according to their luminance. To apply this 3D LUT to HDR10 or P3D65 (HDR) outputs with a specific luminance: Enter an integer from 0 to 2147483647, corresponding to the output's luminance. To apply this 3D LUT to any output regardless of its luminance: Leave blank, or enter 0.

integer

Minimum: 1

Maximum: 100

Brightness level.

ClipLimits

Specify YUV limits and RGB tolerances when you set Sample range conversion to Limited range clip.

ColorSpaceConversion

Specify the color space you want for this output. The service supports conversion between HDR formats, between SDR formats, from SDR to HDR, and from HDR to SDR. SDR to HDR conversion doesn't upgrade the dynamic range. The converted video has an HDR format, but visually appears the same as an unconverted output. HDR to SDR conversion uses tone mapping to approximate the outcome of manually regrading from HDR to SDR. When you specify an output color space, MediaConvert uses the following color space metadata, which includes color primaries, transfer characteristics, and matrix coefficients: * HDR 10: BT.2020, PQ, BT.2020 non-constant * HLG 2020: BT.2020, HLG, BT.2020 non-constant * P3DCI (Theater): DCIP3, SMPTE 428M, BT.709 * P3D65 (SDR): Display P3, sRGB, BT.709 * P3D65 (HDR): Display P3, PQ, BT.709

integer

Minimum: 1

Maximum: 100

Contrast level.

Hdr10Metadata

Use these settings when you convert to the HDR 10 color space. Specify the SMPTE ST 2086 Mastering Display Color Volume static metadata that you want signaled in the output. These values don't affect the pixel values that are encoded in the video stream. They are intended to help the downstream video player display content in a way that reflects the intentions of the the content creator. When you set Color space conversion to HDR 10, these settings are required. You must set values for Max frame average light level and Max content light level; these settings don't have a default value. The default values for the other HDR 10 metadata settings are defined by the P3D65 color space. For more information about MediaConvert HDR jobs, see https://docs.aws.amazon.com/console/mediaconvert/hdr.

HDRToSDRToneMapper

Specify how MediaConvert maps brightness and colors from your HDR input to your SDR output. The mode that you select represents a creative choice, with different tradeoffs in the details and tones of your output. To maintain details in bright or saturated areas of your output: Choose Preserve details. For some sources, your SDR output may look less bright and less saturated when compared to your HDR source. MediaConvert automatically applies this mode for HLG sources, regardless of your choice. For a bright and saturated output: Choose Vibrant. We recommend that you choose this mode when any of your source content is HDR10, and for the best results when it is mastered for 1000 nits. You may notice loss of details in bright or saturated areas of your output. HDR to SDR tone mapping has no effect when your input is SDR.

integer

Minimum: -180

Maximum: 180

Hue in degrees.

integer

Minimum: 0

Maximum: 2147483647

Specify the maximum mastering display luminance. Enter an integer from 0 to 2147483647, in units of 0.0001 nits. For example, enter 10000000 for 1000 nits.

SampleRangeConversion

Specify how MediaConvert limits the color sample range for this output. To create a limited range output from a full range input: Choose Limited range squeeze. For full range inputs, MediaConvert performs a linear offset to color samples equally across all pixels and frames. Color samples in 10-bit outputs are limited to 64 through 940, and 8-bit outputs are limited to 16 through 235. Note: For limited range inputs, values for color samples are passed through to your output unchanged. MediaConvert does not limit the sample range. To correct pixels in your input that are out of range or out of gamut: Choose Limited range clip. Use for broadcast applications. MediaConvert conforms any pixels outside of the values that you specify under Minimum YUV and Maximum YUV to limited range bounds. MediaConvert also corrects any YUV values that, when converted to RGB, would be outside the bounds you specify under Minimum RGB tolerance and Maximum RGB tolerance. With either limited range conversion, MediaConvert writes the sample range metadata in the output.

integer

Minimum: 1

Maximum: 100

Saturation level.

integer

Minimum: 100

Maximum: 1000

Specify the reference white level, in nits, for all of your SDR inputs. Use to correct brightness levels within HDR10 outputs. The following color metadata must be present in your SDR input: color primaries, transfer characteristics, and matrix coefficients. If your SDR input has missing color metadata, or if you want to correct input color metadata, manually specify a color space in the input video selector. For 1,000 nit peak brightness displays, we recommend that you set SDR reference white level to 203 (according to ITU-R BT.2408). Leave blank to use the default value of 100, or specify an integer from 100 to 1000.

CmfcSettings

These settings relate to the fragmented MP4 container for the segments in your CMAF outputs.

ContainerType

Container for this output. Some containers require a container settings object. If not specified, the default object will be created.

F4vSettings

Settings for F4v container

M2tsSettings

MPEG-2 TS container settings. These apply to outputs in a File output group when the output's container is MPEG-2 Transport Stream (M2TS). In these assets, data is organized by the program map table (PMT). Each transport stream program contains subsets of data, including audio, video, and metadata. Each of these subsets of data has a numerical label called a packet identifier (PID). Each transport stream program corresponds to one MediaConvert output. The PMT lists the types of data in a program along with their PID. Downstream systems and players use the program map table to look up the PID for each type of data it accesses and then uses the PIDs to locate specific data within the asset.

M3u8Settings

These settings relate to the MPEG-2 transport stream (MPEG2-TS) container for the MPEG2-TS segments in your HLS outputs.

MovSettings

These settings relate to your QuickTime MOV output container.

Mp4Settings

These settings relate to your MP4 output container. You can create audio only outputs with this container. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/supported-codecs-containers-audio-only.html#output-codecs-and-containers-supported-for-audio-only.

MpdSettings

These settings relate to the fragmented MP4 container for the segments in your DASH outputs.

MxfSettings

These settings relate to your MXF output container.

string

MinLength: 1

Specify a name modifier that the service adds to the name of this manifest to make it different from the file names of the other main manifests in the output group. For example, say that the default main manifest for your DASH group is film-name.mpd. If you enter "-no-premium" for this setting, then the file name the service generates for this top-level manifest is film-name-no-premium.mpd.

Array of type string

MinLength: 1

Specify the outputs that you want this additional top-level manifest to reference.

DashIsoPlaybackDeviceCompatibility

This setting can improve the compatibility of your output with video players on obsolete devices. It applies only to DASH H.264 outputs with DRM encryption. Choose Unencrypted SEI only to correct problems with playback on older devices. Otherwise, keep the default setting CENC v1. If you choose Unencrypted SEI, for that output, the service will exclude the access unit delimiter and will leave the SEI NAL units unencrypted.

SpekeKeyProvider

If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a SPEKE-compliant key provider. If your output group type is CMAF, use the SpekeKeyProviderCmaf settings instead.

Array of type DashAdditionalManifest

By default, the service creates one .mpd DASH manifest for each DASH ISO output group in your job. This default manifest references every output in the output group. To create additional DASH manifests that reference a subset of the outputs in the output group, specify a list of them here.

DashIsoGroupAudioChannelConfigSchemeIdUri

Use this setting only when your audio codec is a Dolby one (AC3, EAC3, or Atmos) and your downstream workflow requires that your DASH manifest use the Dolby channel configuration tag, rather than the MPEG one. For example, you might need to use this to make dynamic ad insertion work. Specify which audio channel configuration scheme ID URI MediaConvert writes in your DASH manifest. Keep the default value, MPEG channel configuration, to have MediaConvert write this: urn:mpeg:mpegB:cicp:ChannelConfiguration. Choose Dolby channel configuration to have MediaConvert write this instead: tag:dolby.com,2014:dash:audio_channel_configuration:2011.

string

A partial URI prefix that will be put in the manifest (.mpd) file at the top level BaseURL element. Can be used if streams are delivered from a different URL than the manifest file.

string

MinLength: 1

MaxLength: 256

Specify whether MediaConvert generates I-frame only video segments for DASH trick play, also known as trick mode. When specified, the I-frame only video segments are included within an additional AdaptationSet in your DASH output manifest. To generate I-frame only video segments: Enter a name as a text string, up to 256 character long. This name is appended to the end of this output group's base filename, that you specify as part of your destination URI, and used for the I-frame only video segment files. You may also include format identifiers. For more information, see: https://docs.aws.amazon.com/mediaconvert/latest/ug/using-variables-in-your-job-settings.html#using-settings-variables-with-streaming-outputs To not generate I-frame only video segments: Leave blank.

DashManifestStyle

Specify how MediaConvert writes SegmentTimeline in your output DASH manifest. To write a SegmentTimeline in each video Representation: Keep the default value, Basic. To write a common SegmentTimeline in the video AdaptationSet: Choose Compact. Note that MediaConvert will still write a SegmentTimeline in any Representation that does not share a common timeline. To write a video AdaptationSet for each different output framerate, and a common SegmentTimeline in each AdaptationSet: Choose Distinct.

string

Pattern: ^s3:\/\/

Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.

DestinationSettings

Settings associated with the destination. Will vary based on the type of destination

DashIsoEncryptionSettings

DRM settings.

integer

Minimum: 1

Maximum: 2147483647

Length of fragments to generate (in seconds). Fragment length must be compatible with GOP size and Framerate. Note that fragments will end on the next keyframe after this number of seconds, so actual fragment length may be longer. When Emit Single File is checked, the fragmentation is internal to a single output file and it does not cause the creation of many output files as in other output types.

DashIsoHbbtvCompliance

Supports HbbTV specification as indicated

DashIsoImageBasedTrickPlay

Specify whether MediaConvert generates images for trick play. Keep the default value, None, to not generate any images. Choose Thumbnail to generate tiled thumbnails. Choose Thumbnail and full frame to generate tiled thumbnails and full-resolution images of single frames. MediaConvert adds an entry in the .mpd manifest for each set of images that you generate. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md

DashIsoImageBasedTrickPlaySettings

Tile and thumbnail settings applicable when imageBasedTrickPlay is ADVANCED

integer

Minimum: 0

Maximum: 2147483647

Minimum time of initially buffered media that is needed to ensure smooth playout.

number

Format: float

Minimum: 0.0

Maximum: 2.147483647E9

Keep this setting at the default value of 0, unless you are troubleshooting a problem with how devices play back the end of your video asset. If you know that player devices are hanging on the final segment of your video because the length of your final segment is too short, use this setting to specify a minimum final segment length, in seconds. Choose a value that is greater than or equal to 1 and less than your segment length. When you specify a value for this setting, the encoder will combine any final segment that is shorter than the length that you specify with the previous segment. For example, your segment length is 3 seconds and your final segment is .5 seconds without a minimum final segment length; when you set the minimum final segment length to 1, your final segment is 3.5 seconds.

DashIsoMpdManifestBandwidthType

Specify how the value for bandwidth is determined for each video Representation in your output MPD manifest. We recommend that you choose a MPD manifest bandwidth type that is compatible with your downstream player configuration. Max: Use the same value that you specify for Max bitrate in the video output, in bits per second. Average: Use the calculated average bitrate of the encoded video output, in bits per second.

DashIsoMpdProfile

Specify whether your DASH profile is on-demand or main. When you choose Main profile, the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand, the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control to Single file.

DashIsoPtsOffsetHandlingForBFrames

Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS). Specify how MediaConvert handles PTS when writing time stamps in output DASH manifests. Choose Match initial PTS when you want MediaConvert to use the initial PTS as the first time stamp in the manifest. Choose Zero-based to have MediaConvert ignore the initial PTS in the video stream and instead write the initial time stamp as zero in the manifest. For outputs that don't have B-frames, the time stamps in your DASH manifests start at zero regardless of your choice here.

DashIsoSegmentControl

When set to SINGLE_FILE, a single output file is generated, which is internally segmented using the Fragment Length and Segment Length. When set to SEGMENTED_FILES, separate segment files will be created.

integer

Minimum: 1

Maximum: 2147483647

Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 30. Related settings: Use Segment length control to specify whether the encoder enforces this value strictly. Use Segment control to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.

DashIsoSegmentLengthControl

Specify how you want MediaConvert to determine the segment length. Choose Exact to have the encoder use the exact length that you specify with the setting Segment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.

DashIsoVideoCompositionOffsets

Specify the video sample composition time offset mode in the output fMP4 TRUN box. For wider player compatibility, set Video composition offsets to Unsigned or leave blank. The earliest presentation time may be greater than zero, and sample composition time offsets will increment using unsigned integers. For strict fMP4 video and audio timing, set Video composition offsets to Signed. The earliest presentation time will be equal to zero, and sample composition time offsets will increment using signed integers.

DashIsoWriteSegmentTimelineInRepresentation

If you get an HTTP error in the 400 range when you play back your DASH output, enable this setting and run your transcoding job again. When you enable this setting, the service writes precise segment durations in the DASH manifest. The segment duration information appears inside the SegmentTimeline element, inside SegmentTemplate at the Representation level. When you don't enable this setting, the service writes approximate segment durations in your DASH manifest.

DashIsoIntervalCadence

The cadence MediaConvert follows for generating thumbnails. If set to FOLLOW_IFRAME, MediaConvert generates thumbnails for each IDR frame in the output (matching the GOP cadence). If set to FOLLOW_CUSTOM, MediaConvert generates thumbnails according to the interval you specify in thumbnailInterval.

integer

Minimum: 1

Maximum: 4096

Height of each thumbnail within each tile image, in pixels. Leave blank to maintain aspect ratio with thumbnail width. If following the aspect ratio would lead to a total tile height greater than 4096, then the job will be rejected. Must be divisible by 2.

number

Format: float

Minimum: 0.0

Maximum: 2.147483647E9

Enter the interval, in seconds, that MediaConvert uses to generate thumbnails. If the interval you enter doesn't align with the output frame rate, MediaConvert automatically rounds the interval to align with the output frame rate. For example, if the output frame rate is 29.97 frames per second and you enter 5, MediaConvert uses a 150 frame interval to generate thumbnails.

integer

Minimum: 8

Maximum: 4096

Width of each thumbnail within each tile image, in pixels. Default is 312. Must be divisible by 8.

integer

Minimum: 1

Maximum: 2048

Number of thumbnails in each column of a tile image. Set a value between 2 and 2048. Must be divisible by 2.

integer

Minimum: 1

Maximum: 512

Number of thumbnails in each row of a tile image. Set a value between 1 and 512.

DeinterlaceAlgorithm

Only applies when you set Deinterlace mode to Deinterlace or Adaptive. Interpolate produces sharper pictures, while blend produces smoother motion. If your source file includes a ticker, such as a scrolling headline at the bottom of the frame: Choose Interpolate ticker or Blend ticker. To apply field doubling: Choose Linear interpolation. Note that Linear interpolation may introduce video artifacts into your output.

DeinterlacerControl

- When set to NORMAL (default), the deinterlacer does not convert frames that are tagged in metadata as progressive. It will only convert those that are tagged as some other type. - When set to FORCE_ALL_FRAMES, the deinterlacer converts every frame to progressive - even those that are already tagged as progressive. Turn Force mode on only if there is a good chance that the metadata has tagged frames as progressive when they are not progressive. Do not turn on otherwise; processing frames that are already progressive into progressive will probably result in lower quality video.

DeinterlacerMode

Use Deinterlacer to choose how the service will do deinterlacing. Default is Deinterlace. - Deinterlace converts interlaced to progressive. - Inverse telecine converts Hard Telecine 29.97i to progressive 23.976p. - Adaptive auto-detects and converts to progressive.

S3DestinationSettings

Settings associated with S3 destination

DolbyVisionLevel6Metadata

Use these settings when you set DolbyVisionLevel6Mode to SPECIFY to override the MaxCLL and MaxFALL values in your input with new values.

DolbyVisionLevel6Mode

Use Dolby Vision Mode to choose how the service will handle Dolby Vision MaxCLL and MaxFALL properies.

DolbyVisionMapping

Required when you set Dolby Vision Profile to Profile 8.1. When you set Content mapping to None, content mapping is not applied to the HDR10-compatible signal. Depending on the source peak nit level, clipping might occur on HDR devices without Dolby Vision. When you set Content mapping to HDR10 1000, the transcoder creates a 1,000 nits peak HDR10-compatible signal by applying static content mapping to the source. This mode is speed-optimized for PQ10 sources with metadata that is created from analysis. For graded Dolby Vision content, be aware that creative intent might not be guaranteed with extreme 1,000 nits trims.

DolbyVisionProfile

Required when you enable Dolby Vision. Use Profile 5 to include frame-interleaved Dolby Vision metadata in your output. Your input must include Dolby Vision metadata or an HDR10 YUV color space. Use Profile 8.1 to include frame-interleaved Dolby Vision metadata and HDR10 metadata in your output. Your input must include Dolby Vision metadata.

integer

Minimum: 0

Maximum: 65535

Maximum Content Light Level. Static HDR metadata that corresponds to the brightest pixel in the entire stream. Measured in nits.

integer

Minimum: 0

Maximum: 65535

Maximum Frame-Average Light Level. Static HDR metadata that corresponds to the highest frame-average brightness in the entire stream. Measured in nits.

integer

Minimum: 0

Maximum: 65535

The numeric value placed in the Network Information Table (NIT).

string

MinLength: 1

MaxLength: 256

The network name text placed in the network_name_descriptor inside the Network Information Table. Maximum length is 256 characters.

integer

Minimum: 25

Maximum: 10000

The number of milliseconds between instances of this table in the output transport stream.

OutputSdt

Selects method of inserting SDT information into output stream. "Follow input SDT" copies SDT information from input stream to output stream. "Follow input SDT if present" copies SDT information from input stream to output stream if SDT information is present in the input, otherwise it will fall back on the user-defined values. Enter "SDT Manually" means user will enter the SDT information. "No SDT" means output stream will not contain SDT information.

integer

Minimum: 25

Maximum: 2000

The number of milliseconds between instances of this table in the output transport stream.

string

MinLength: 1

MaxLength: 256

The service name placed in the service_descriptor in the Service Description Table. Maximum length is 256 characters.

string

MinLength: 1

MaxLength: 256

The service provider name placed in the service_descriptor in the Service Description Table. Maximum length is 256 characters.

DvbSubtitleAlignment

Specify the alignment of your captions. If no explicit x_position is provided, setting alignment to centered will placethe captions at the bottom center of the output. Similarly, setting a left alignment willalign captions to the bottom left of the output. If x and y positions are given in conjunction with the alignment parameter, the font will be justified (either left or centered) relative to those coordinates. Within your job settings, all of your DVB-Sub settings must be identical.

DvbSubtitleApplyFontColor

Ignore this setting unless Style Passthrough is set to Enabled and Font color set to Black, Yellow, Red, Green, Blue, or Hex. Use Apply font color for additional font color controls. When you choose White text only, or leave blank, your font color setting only applies to white text in your input captions. For example, if your font color setting is Yellow, and your input captions have red and white text, your output captions will have red and yellow text. When you choose ALL_TEXT, your font color setting applies to all of your output captions text.

DvbSubtitleBackgroundColor

Specify the color of the rectangle behind the captions. Leave background color blank and set Style passthrough to enabled to use the background color data from your input captions, if present.

integer

Minimum: 0

Maximum: 255

Specify the opacity of the background rectangle. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to enabled, leave blank to pass through the background style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all backgrounds from your output captions. Within your job settings, all of your DVB-Sub settings must be identical.

DvbddsHandling

Specify how MediaConvert handles the display definition segment (DDS). To exclude the DDS from this set of captions: Keep the default, None. To include the DDS: Choose Specified. When you do, also specify the offset coordinates of the display window with DDS x-coordinate and DDS y-coordinate. To include the DDS, but not include display window data: Choose No display window. When you do, you can write position metadata to the page composition segment (PCS) with DDS x-coordinate and DDS y-coordinate. For video resolutions with a height of 576 pixels or less, MediaConvert doesn't include the DDS, regardless of the value you choose for DDS handling. All burn-in and DVB-Sub font settings must match.

integer

Minimum: 0

Maximum: 2147483647

Use this setting, along with DDS y-coordinate, to specify the upper left corner of the display definition segment (DDS) display window. With this setting, specify the distance, in pixels, between the left side of the frame and the left side of the DDS display window. Keep the default value, 0, to have MediaConvert automatically choose this offset. Related setting: When you use this setting, you must set DDS handling to a value other than None. MediaConvert uses these values to determine whether to write page position data to the DDS or to the page composition segment. All burn-in and DVB-Sub font settings must match.

integer

Minimum: 0

Maximum: 2147483647

Use this setting, along with DDS x-coordinate, to specify the upper left corner of the display definition segment (DDS) display window. With this setting, specify the distance, in pixels, between the top of the frame and the top of the DDS display window. Keep the default value, 0, to have MediaConvert automatically choose this offset. Related setting: When you use this setting, you must set DDS handling to a value other than None. MediaConvert uses these values to determine whether to write page position data to the DDS or to the page composition segment (PCS). All burn-in and DVB-Sub font settings must match.

DvbSubSubtitleFallbackFont

Specify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support. When you set Fallback font to best match, or leave blank, MediaConvert uses a supported font that most closely matches the font that your input captions specify. When there are multiple unsupported fonts in your input captions, MediaConvert matches each font with the supported font that matches best. When you explicitly choose a replacement font, MediaConvert uses that font to replace all unsupported fonts from your input.

DvbSubtitleFontColor

Specify the color of the captions text. Leave Font color blank and set Style passthrough to enabled to use the font color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.

string

Pattern: ^((s3://(.*?)\.(ttf))|(https?://(.*?)\.(ttf)(\?([^&=]+=[^&]+&)*[^&=]+=[^&]+)?))$

Specify a bold TrueType font file to use when rendering your output captions. Enter an S3, HTTP, or HTTPS URL. When you do, you must also separately specify a regular, an italic, and a bold italic font file.

string

Pattern: ^((s3://(.*?)\.(ttf))|(https?://(.*?)\.(ttf)(\?([^&=]+=[^&]+&)*[^&=]+=[^&]+)?))$

Specify a bold italic TrueType font file to use when rendering your output captions. Enter an S3, HTTP, or HTTPS URL. When you do, you must also separately specify a regular, a bold, and an italic font file.

string

Pattern: ^((s3://(.*?)\.(ttf))|(https?://(.*?)\.(ttf)(\?([^&=]+=[^&]+&)*[^&=]+=[^&]+)?))$

Specify an italic TrueType font file to use when rendering your output captions. Enter an S3, HTTP, or HTTPS URL. When you do, you must also separately specify a regular, a bold, and a bold italic font file.

string

Pattern: ^((s3://(.*?)\.(ttf))|(https?://(.*?)\.(ttf)(\?([^&=]+=[^&]+&)*[^&=]+=[^&]+)?))$

Specify a regular TrueType font file to use when rendering your output captions. Enter an S3, HTTP, or HTTPS URL. When you do, you must also separately specify a bold, an italic, and a bold italic font file.

integer

Minimum: 0

Maximum: 255

Specify the opacity of the burned-in captions. 255 is opaque; 0 is transparent. Within your job settings, all of your DVB-Sub settings must be identical.

integer

Minimum: 96

Maximum: 600

Specify the Font resolution in DPI (dots per inch). Within your job settings, all of your DVB-Sub settings must be identical.

FontScript

Set Font script to Automatically determined, or leave blank, to automatically determine the font script in your input captions. Otherwise, set to Simplified Chinese (HANS) or Traditional Chinese (HANT) if your input font script uses Simplified or Traditional Chinese. Within your job settings, all of your DVB-Sub settings must be identical.

integer

Minimum: 0

Maximum: 96

Specify the Font size in pixels. Must be a positive integer. Set to 0, or leave blank, for automatic font size. Within your job settings, all of your DVB-Sub settings must be identical.

integer

Minimum: 1

Maximum: 2147483647

Specify the height, in pixels, of this set of DVB-Sub captions. The default value is 576 pixels. Related setting: When you use this setting, you must set DDS handling to a value other than None. All burn-in and DVB-Sub font settings must match.

string

Pattern: ^[0-9a-fA-F]{6}([0-9a-fA-F]{2})?$

MinLength: 6

MaxLength: 8

Ignore this setting unless your Font color is set to Hex. Enter either six or eight hexidecimal digits, representing red, green, and blue, with two optional extra digits for alpha. For example a value of 1122AABB is a red value of 0x11, a green value of 0x22, a blue value of 0xAA, and an alpha value of 0xBB.

DvbSubtitleOutlineColor

Specify font outline color. Leave Outline color blank and set Style passthrough to enabled to use the font outline color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.

integer

Minimum: 0

Maximum: 10

Specify the Outline size of the caption text, in pixels. Leave Outline size blank and set Style passthrough to enabled to use the outline size data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.

DvbSubtitleShadowColor

Specify the color of the shadow cast by the captions. Leave Shadow color blank and set Style passthrough to enabled to use the shadow color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.

integer

Minimum: 0

Maximum: 255

Specify the opacity of the shadow. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to Enabled, leave Shadow opacity blank to pass through the shadow style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all shadows from your output captions. Within your job settings, all of your DVB-Sub settings must be identical.

integer

Minimum: -2147483648

Maximum: 2147483647

Specify the horizontal offset of the shadow, relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels to the left. Within your job settings, all of your DVB-Sub settings must be identical.

integer

Minimum: -2147483648

Maximum: 2147483647

Specify the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. Leave Shadow y-offset blank and set Style passthrough to enabled to use the shadow y-offset data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.

DvbSubtitleStylePassthrough

To use the available style, color, and position information from your input captions: Set Style passthrough to Enabled. Note that MediaConvert uses default settings for any missing style or position information in your input captions To ignore the style and position information from your input captions and use default settings: Leave blank or keep the default value, Disabled. Default settings include white text with black outlining, bottom-center positioning, and automatic sizing. Whether you set Style passthrough to enabled or not, you can also choose to manually override any of the individual style and position settings. You can also override any fonts by manually specifying custom font files.

DvbSubtitlingType

Specify whether your DVB subtitles are standard or for hearing impaired. Choose hearing impaired if your subtitles include audio descriptions and dialogue. Choose standard if your subtitles include only dialogue.

DvbSubtitleTeletextSpacing

Specify whether the Text spacing in your captions is set by the captions grid, or varies depending on letter width. Choose fixed grid to conform to the spacing specified in the captions file more accurately. Choose proportional to make the text easier to read for closed captions. Within your job settings, all of your DVB-Sub settings must be identical.

integer

Minimum: 1

Maximum: 2147483647

Specify the width, in pixels, of this set of DVB-Sub captions. The default value is 720 pixels. Related setting: When you use this setting, you must set DDS handling to a value other than None. All burn-in and DVB-Sub font settings must match.

integer

Minimum: 0

Maximum: 2147483647

Specify the horizontal position of the captions, relative to the left side of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the left of the output. If no explicit x_position is provided, the horizontal caption position will be determined by the alignment parameter. Within your job settings, all of your DVB-Sub settings must be identical.

integer

Minimum: 0

Maximum: 2147483647

Specify the vertical position of the captions, relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output. Within your job settings, all of your DVB-Sub settings must be identical.

integer

Minimum: 1

Maximum: 2147483647

When using DVB-Sub with Burn-in, use this PID for the source content. Unused for DVB-Sub passthrough. All DVB-Sub content is passed through, regardless of selectors.

integer

Minimum: 1000

Maximum: 30000

The number of milliseconds between instances of this table in the output transport stream.

integer

Minimum: 384000

Maximum: 1024000

Specify the average bitrate for this output in bits per second. Valid values: 384k, 448k, 576k, 640k, 768k, 1024k Default value: 448k Note that MediaConvert supports 384k only with channel-based immersive (CBI) 7.1.4 and 5.1.4 inputs. For CBI 9.1.6 and other input types, MediaConvert automatically increases your output bitrate to 448k.

Eac3AtmosBitstreamMode

Specify the bitstream mode for the E-AC-3 stream that the encoder emits. For more information about the EAC3 bitstream mode, see ATSC A/52-2012 (Annex E).

Eac3AtmosCodingMode

The coding mode for Dolby Digital Plus JOC (Atmos).

Eac3AtmosDialogueIntelligence

Enable Dolby Dialogue Intelligence to adjust loudness based on dialogue analysis.

Eac3AtmosDownmixControl

Specify whether MediaConvert should use any downmix metadata from your input file. Keep the default value, Custom to provide downmix values in your job settings. Choose Follow source to use the metadata from your input. Related settings--Use these settings to specify your downmix values: Left only/Right only surround, Left total/Right total surround, Left total/Right total center, Left only/Right only center, and Stereo downmix. When you keep Custom for Downmix control and you don't specify values for the related settings, MediaConvert uses default values for those settings.

Eac3AtmosDynamicRangeCompressionLine

Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the line operating mode. Default value: Film light Related setting: To have MediaConvert use the value you specify here, keep the default value, Custom for the setting Dynamic range control. Otherwise, MediaConvert ignores Dynamic range compression line. For information about the Dolby DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.

Eac3AtmosDynamicRangeCompressionRf

Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the RF operating mode. Default value: Film light Related setting: To have MediaConvert use the value you specify here, keep the default value, Custom for the setting Dynamic range control. Otherwise, MediaConvert ignores Dynamic range compression RF. For information about the Dolby DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.

Eac3AtmosDynamicRangeControl

Specify whether MediaConvert should use any dynamic range control metadata from your input file. Keep the default value, Custom, to provide dynamic range control values in your job settings. Choose Follow source to use the metadata from your input. Related settings--Use these settings to specify your dynamic range control values: Dynamic range compression line and Dynamic range compression RF. When you keep the value Custom for Dynamic range control and you don't specify values for the related settings, MediaConvert uses default values for those settings.

number

Format: float

Minimum: -6.0

Maximum: 3.0

Specify a value for the following Dolby Atmos setting: Left only/Right only center mix (Lo/Ro center). MediaConvert uses this value for downmixing. Default value: -3 dB. Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Left only/Right only center.

number

Format: float

Minimum: -60.0

Maximum: -1.5

Specify a value for the following Dolby Atmos setting: Left only/Right only. MediaConvert uses this value for downmixing. Default value: -3 dB. Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Left only/Right only surround.

number

Format: float

Minimum: -6.0

Maximum: 3.0

Specify a value for the following Dolby Atmos setting: Left total/Right total center mix (Lt/Rt center). MediaConvert uses this value for downmixing. Default value: -3 dB Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Left total/Right total center.

number

Format: float

Minimum: -60.0

Maximum: -1.5

Specify a value for the following Dolby Atmos setting: Left total/Right total surround mix (Lt/Rt surround). MediaConvert uses this value for downmixing. Default value: -3 dB Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, the service ignores Left total/Right total surround.

Eac3AtmosMeteringMode

Choose how the service meters the loudness of your audio.

integer

Minimum: 48000

Maximum: 48000

This value is always 48000. It represents the sample rate in Hz.

integer

Minimum: 0

Maximum: 100

Specify the percentage of audio content, from 0% to 100%, that must be speech in order for the encoder to use the measured speech loudness as the overall program loudness. Default value: 15%

Eac3AtmosStereoDownmix

Choose how the service does stereo downmixing. Default value: Not indicated Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Stereo downmix.

Eac3AtmosSurroundExMode

Specify whether your input audio has an additional center rear surround channel matrix encoded into your left and right surround channels.